Once the basic controls were explained, we were set the task of creating a short piece using the MIDI and the pro-tools plug-ins. This was to go along with one of a selection of clips provided, in order to try and set a mood and pace with the visual image. The variation of sounds available in the different programmes is huge, but it took quite a lot of sorting to find a selection of sounds which didn't sound comical or inappropriate. Once selected, there is the option to edit the notes that you have laid down, including changing the sound, looping, moving it up/down an octave and so on.
We were given a few examples of electronic compositions for various film sound-tracks. A notable one was of David Fincher's Gone Girl. The soundtrack composed by Trent Reznor and Atticus Ross. The track is very provocative, and it's purpose is definitely to push a certain mood or emotion within the viewer. The high-pitch and pulsing notes definitely reinforce the mood set by the scene.
When it came to experimenting with the sounds to produce a short piece to go with the provided clips, I became quite personally overwhelmed by the huge choice of sounds, but quite intimidated because of the fact that I have very little music ability. However, it soon became apparent that this was not entirely necessary. I chose to create a short composition for a si-fi/space scene, managed to use the MIDI to create a track to go with the atmosphere and tone of the scene. (Due to the Mac I was using crashing I was unfortunatly unable to save an example of this).
Example of how the notes are laid down in pro-tools

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